My Background
My Background
My Background
Both of my parents pursued careers in science: while my mother took the academic path and became a university professor, my father opted for the corporate world and worked for an oil company. Both of them achieved remarkable success in their respective fields.
After graduating from high school, I dedicated ten years to the study of art, at
Both of my parents pursued careers in science: while my mother took the academic path and became a university professor, my father opted for the corporate world and worked for an oil company. Both of them achieved remarkable success in their respective fields.
After graduating from high school, I dedicated ten years to the study of art, attending four different universities. Throughout this period, I often repeated classes to learn from a diverse range of artists. I hold two degrees from the University of North Texas, specializing in fine art and psychology. Additionally, I had the opportunity to study at East Texas State University in Commerce, Texas State University in San Marcus, and the University of Texas at Arlington.
My professional journey has been equally diverse. I have worked as a certified tower climber, scaling radio towers for a high-speed internet company. I have managed an art gallery, worked as a freelance graphic designer, served as an artist for a ceramics company, and even worked as a framer in a frame shop/gallery.
Through these experiences, I have gained invaluable insights and honed my skills in various domains.
Medium
My Background
My Background
I utilize acrylic paint on both board and canvas, incorporating a diverse range of acrylic mediums, wire, wood, hydrocal, and epoxy/resin. Occasionally, I incorporate various found mechanical objects. I firmly believe that confining oneself to a single medium can stifle creativity and result in forgettable artwork. By experimenting with
I utilize acrylic paint on both board and canvas, incorporating a diverse range of acrylic mediums, wire, wood, hydrocal, and epoxy/resin. Occasionally, I incorporate various found mechanical objects. I firmly believe that confining oneself to a single medium can stifle creativity and result in forgettable artwork. By experimenting with different materials and techniques, I am able to push the boundaries of traditional painting and create dynamic pieces that capture attention.
My process often begins with a rough sketch or idea, but I always allow room for improvisation during the creation process. This allows me to respond to unexpected results and incorporate happy accidents into my work. I enjoy playing with texture, layering colors, and creating depth in my paintings. Whether it's through thick impasto strokes or thin glazes, each piece has a unique tactile quality that invites viewers to touch and explore.
One of my favorite things about acrylic paint is its versatility. It can be manipulated in so many ways - from thickening it with gel mediums to thinning it down for delicate washes. This allows me to experiment and push the boundaries of what is possible with this medium. I also love its lack of toxicity.
I once came across an artist's statement that claimed "art is not a competition." While I understand the sentiment, I believe it overlooks the profound historical significance of art and its connection to our present. Today, movies serve as the paramount medium in this regard. As an artist and painter, how can I strive for genuine social relevance? This is why I pour every ounce of effort into my work, aiming to make it as captivating and engaging as possible.
The Process
My Background
The Process
For the "Melted Glacier" painting:
1. the sky was airbrush (AIR)
2. a liquid acrylic pour for the (WATER)
3. lava rock/pumice, acrylic paste (EARTH)
4. the wooden frame was burned (FIRE)
The process of creating art can be a unique and personal experience. It allows for self-expression and creativity to flow freely, resulting in beautiful works
For the "Melted Glacier" painting:
1. the sky was airbrush (AIR)
2. a liquid acrylic pour for the (WATER)
3. lava rock/pumice, acrylic paste (EARTH)
4. the wooden frame was burned (FIRE)
The process of creating art can be a unique and personal experience. It allows for self-expression and creativity to flow freely, resulting in beautiful works of art. One technique that appealed to me is known as the four elements painting.
The concept behind this type of painting is to incorporate the four elements: air, water, earth, and fire into one cohesive piece of artwork. Each element brings its own distinct characteristics, making them essential components in any composition.
In order to achieve a successful four elements artwork, it is important to understand how each element plays a role in the overall design. Let's take a closer look at how these elements can be represented through different techniques:
Air – The element of air represents breath and life. In painting, this can be conveyed through soft brush strokes or light and airy colors. Incorporating elements such as clouds or birds into your artwork can also enhance the feeling of airiness.
Water – The element of water is fluid and ever-changing. This can be reflected in paintings through techniques such as blending colors or creating a sense of movement with brush strokes. Adding ripples or waves to your composition can also create a calming and serene atmosphere.
Earth – Representing stability and grounding, the element of earth can be portrayed through texture and naturalistic tones. Using techniques like layering paint or adding elements like rocks or soil to your piece can bring depth and solidity to your artwork.
Fire – The final element is fire, which symbolizes energy and passion. To incorporate fire into your paintings, you can use warm and vibrant colors like reds, oranges, and yellows. Adding flickering flames or sparks can also create a sense of movement and intensity in your composition.
Combining Elements – One way to create a truly dynamic and impactful painting is by incorporating the primal elements together.
The imagery, though created virtually on a computer, diverges from emulating virtual scenes. Instead, I employed the traditional four elements to evoke the essence of the artwork. In a deliberate statement, the animals were excluded from the scenery and placed within the charred frame, symbolizing the absence of animate life in virtual reality. It serves as a reminder of its inherent unreality. My intention is for the viewer to immerse themselves in the vitality and energy contained within the frame, contrasting against the stillness of the virtual environment. It prompts contemplation on the dichotomy of Life vs Virtual.
Looking beyond the distant horizon of technological advancement, we ponder the deepest conceptual reflections on the trajectory of our technological development. Are we merely striving to replace the intangible notion of God with something tangible? Could virtual reality be the tempting apple that entices the young to venture into an eternal future?
Let us delve into these profound musings as we navigate the uncharted territories of our technological journey.